The Beverly Hillbillies has always been one of my favorite shows, and it’s easy to see why. No sex, no foul language, no politics — just pure, feel-good comedy.
Take the hilarious episode where Granny mistakes a kangaroo for a giant jackrabbit. It perfectly captures the charm and simplicity that made The Beverly Hillbillies so beloved.
Did you know that this particular episode set a record as the most-watched half-hour sitcom of its time? But here’s the kicker — if you know where to look, there’s a glaring mistake the producers missed.
Slammed and hated by the critics. “Strained and unfunny”, according to New York Times. But to me, The Beverly Hillbillies is one of the greatest and funniest shows ever. This was back when TV was great to watch; good, old-fashioned family TV. Today’s comedies could learn a great deal from shows like this one.
From Buddy Ebsen’s laid-back charm to Irene Ryan’s feisty Granny, the show’s cast — including Max Baer Jr., Donna Douglas, Nancy Kulp, and Raymond Bailey — kept audiences laughing for years.
But even this classic sitcom had its share of goofs, and we’re here to reveal the funniest mistakes that made it onto the screen.
Ocean is on their left
In the opening scene, the Clampetts are cruising back home from Malibu, but there’s a funny little mix-up.
Malibu is west of Beverly Hills, so the ocean should be on the right if they’re heading east. Instead, it’s on their left — meaning they’re actually driving away from home.
Guess the Clampetts took the scenic route… or just got a little turned around.
The Boston Strong Girl
In season six’s episode ”The Rass’lin’ Clampetts,” Granny takes on the Boston Strong Girl and supposedly tosses her right out of the ring. But if you watch closely, you’ll see the Strong Girl giving herself a little jump to get over the ropes.
Here’s a fun twist: the Boston Strong Girl was actually played by Jerry Randall, who was a stuntman dressed in drag. And in true hillbilly style, the title’s ”Rass’lin” is just their way of saying ”wrestling.”
The missing fish
In the episode The Clampetts Go Fishing, Mr. Drysdale tries to spark the Clampetts’ interest in deep-sea fishing by sending them off to Marineland.
But here’s where things get fishy — literally! When Miss Hathaway and Mr. Drysdale pull up to the Clampett mansion, their car’s backseat is completely empty.
Yet, somehow, by the time they steps out of the car, a giant fish magically appears in the back!
Jane Hathaway’s first car
Throughout most of seasons one and two, the location shots for The Beverly Hillbillies show Jane Hathaway’s first car, a 1962 Plymouth convertible.
But if you look closely, you’ll notice a little TV magic at play. In some scenes, the shot suddenly jumps to a close-up of her arriving in a completely different car — a 1963 or 1964 Dodge.
It looks like Jane had a knack for spontaneous car upgrades.
The groundskeeper
During the closing credits of the season one Thanksgiving episode, Elly’s First Date (1962), an unexpected guest made a surprise cameo.
On the right side of the screen, a groundskeeper strolls into view, casually carrying a rake and sporting a white tank top. But then —oops!— he suddenly realizes he’s wandered straight into the shot.
With a look of sheer panic, he quickly changes course and bolts out of the frame, probably wishing he could rake that moment right off the screen.
Here’s a hilarious goof from the episode: During Jethro’s magic show, Mr. Drysdale tosses his hat to Jethro to use in an illusion. Naturally, Jethro ends up ruining the hat right off the bat.
Max Baer Jr. played his twin sister
Max Baer Jr played the role of Jethro Bodine, the son of Jed’s cousin, Pearl, a naive and borderline dim-witted man who showed off his great math skills with his multiplication classic “five gozinta five one times, five gozinta ten two times.”
But that wasn’t the only character he played on the show. In fact, Max Baer Jr. also portrayed Jethro’s twin sister Jethrine for 11 episodes during the first season.
Although Max Baer Jr. played Jethrine Bodine, he couldn’t do her voice.
As a result, he was dubbed. The one who actually said her lines was Linda Kaye Henning – daughter to the series’ creator, Paul Henning.
Mr. Drysdale’s magic hat
Here’s a hilarious goof from the episode ”The Great Jethro”: During Jethro’s magic show, Mr. Drysdale tosses his hat to Jethro to use in an illusion.
Naturally, Jethro ends up ruining the hat right off the bat.
But the real magic trick here isn’t part of the show — it’s a classic TV mistake! After Jethro does his damage, the camera cuts to Mr. Drysdale, and there he is, calmly holding his perfectly fine hat in his lap.
Then, as if by magic, the hat reappears on the magician’s stand in the next shot. Moments later, Mr. Drysdale is seen holding the ruined hat once again.
John Wayne got paid in bourbon
Even though John Wayne’s name doesn’t appear in the credits, many fans still remember his memorable cameo in the episode ”The Indians Are Coming.”
Interestingly, the only payment John Wayne requested for his guest appearance was a fifth of Jack Daniel’s bourbon. Let’s hope they paid him after his performance!
The Giant Jackrabbit
The iconic season-two episode ”The Giant Jackrabbit” achieved a remarkable milestone, becoming the most-watched telecast at the time of its airing, and it still holds the record for the most-watched half-hour episode of any sitcom.
At first glance, these astonishing ratings might seem puzzling. However, when you consider the context of the time, it all begins to make sense.
Early 1964 was a challenging period for America, following the tragic assassination of President Kennedy just six weeks earlier. The nation was in mourning, seeking solace and a respite from the harsh realities of life. In this environment, the lighthearted humor and quirky charm of The Beverly Hillbillies offered the perfect escape for viewers.
The blooper
But considering how many people have enjoyed watching Granny mistake a kangaroo for a jackrabbit, it’s surprising that many have missed a tiny goof in this episode. And honestly, it’s understandable — it really takes a keen eye to catch it.
So here it is: when the kangaroo first hops up to the Clampetts’ back door, a man’s foot — most likely that of the trainer — briefly appears in the lower left corner (at 09:02) of the screen. It’s a little detail that adds to the fun of this classic moment.
A nod to the casting genius
Since we’re diving into this legendary episode, let’s talk about the owner of “Beverly Caterers.” When Granny spots the escaped kangaroo and mistakenly believes it to be an oversized jackrabbit, it raises eyebrows and makes the others suspect she might have had a bit too much moonshine.
Meanwhile, the Clampetts face a struggle to get food from Beverly Caterers. Interestingly, the owner, Bill Tinsman, is named as a nod to William Tinsman, the casting director for The Beverly Hillbillies as well as other shows in the HenningVerse.
The creator was ashamed
Speaking of the creator of the series, Paul Henning, did you know that he was ashamed of the 1981 TV movie “The Return of the Beverly Hillbillies”?
10 years after the popular show ended, some of the characters in the Clampett family reunited in a television movie written and produced by Henning. But viewers and critics didn’t like it, as many thought that the series’ original spirit had been abandoned in the movie.
Paul admitted to sheer embarrassment when the finished product aired on the CBS network.
Different original title
Those who watched the pilot “The Clampetts Strike Oil” may have noticed that the show was then called “The Hillbillies of Beverly Hills.”
After the first episode, though, the original title was changed to “The Beverly Hillbillies”, which was a little easier to say and more catchy.
Sonny was 8 years younger than his mother
Hollywood has had its fair share of impossible mothers. For example, when Angela Lansbury starred in The Manchurian Candidate (1962), she was only two years older than Laurence Harvey, who played her son. And the list goes on and on – The Beverly Hillbillies was no exception.
Did you know that the actress who played Mrs. Drysdale was just eight years older then her on-screen son Sonny Drysdale, the spoiled rich step-son of Milburn Drysdale.
Why CBS axed the show
By the end of the 60’s, The Beverly Hillbillies struggled with ratings.
But it was still a very popular and successful show, so when CBS went out and announced the canceling of the show in 1971, many were shocked. The same thing happened to Paul Henning’s other hit, “Petticoat Junction”.
This was dubbed a “rural purge” and CBS took the lead by axing several popular shows. The change came when the networks and the advertisers decided to target a more cultured, metropolitan audience.
“CBS canceled everything with a tree — including Lassie,” actor Pat Buttram of Green Acres famously said.
Beverly Hillbillies – what a show with great actors and actresses!
As we wrap up our journey through the hilarious world of these characters, it’s clear that even the most beloved shows have their quirks and blunders.
From the kangaroo mix-up to the magical hat tricks gone awry, these little-known mistakes add an extra layer of charm to the series.
So next time you tune in, keep an eye out for the behind-the-scenes fun—you might just find a new reason to chuckle at these unforgettable characters!
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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