Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
My Stepdaughter Surprised Me with a Car for My 55th Birthday, Discovering What Was Inside the Glove Box Left Me Speechless
Receiving a car from my stepdaughter, Emily, on my 55th birthday was the last thing I expected, especially given our rocky relationship. She handed me the keys and mentioned there was another surprise in the glove compartment. What I found inside changed everything between us.
Being a stepmom often feels like a balancing act, trying to be a parent without overstepping boundaries. For ten years, I navigated this tightrope with Emily. I met her father, David, at work, and after becoming friends, we started dating. He had lost his wife a year before we met, and his focus was on Emily, his cherished daughter. As our relationship deepened, I wondered about our future together. David expressed his love for me but worried about how Emily would react to a new stepmother.
When I married David, I knew it would be complicated. Emily was only 12 and still grieving her mother. My first meeting with her was tense; she barely spoke and quickly retreated to her room. This set the tone for our relationship. I tried my best to connect, but she remained distant, polite but always keeping me at arm’s length.
I remember putting together a surprise party for her 13th birthday, hoping it would help us bond. Although she smiled at the decorations, she still held back emotionally, creating a barrier between us. Despite the challenges, David and I were happy together. However, everything changed when David died in a car accident five years ago, leaving Emily and me to navigate our grief alone.
In that dark time, I promised to be there for Emily. But even as we became each other’s only family, I sensed that she merely tolerated me. As she grew more independent, starting a career in marketing, our interactions felt more like a formality than a genuine connection. I longed for a warm relationship, but it often felt one-sided.
Last Thanksgiving was particularly hard; Emily barely acknowledged me at a family gathering, deepening my feelings of being an outsider. So, when Emily called just before my birthday to take me out for a special dinner, I felt a flicker of hope. She picked me up in a sleek red convertible, and I thought it might finally be a sign of her acceptance.
When she handed me the keys, her voice felt distant and flat, almost like she was just fulfilling an obligation. I managed to thank her, but the dinner felt awkward and forced. It was hard to shake the feeling that the car was more of a way to alleviate her guilt than a genuine gift.
As we parked, Emily mentioned another surprise in the glove compartment. My heart raced as I opened it, revealing a stack of drawings from her childhood. My breath caught as I saw the stick-figure versions of us, with me labeled as “Mom” and captions like “Mom and Me”.
Tears filled my eyes as the realization hit: Emily had seen me as her mom all along, despite the distance between us. When I expressed my shock, she admitted she loved me but felt guilty calling me “Mom” because of her birth mother.
In that moment, the walls that had stood between us for years crumbled. We embraced tightly, tears streaming down our faces. That evening, we shared everything—our fears, doubts, and cherished moments. Finally, I felt the deep bond of a mother and daughter.
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