When Lexie’s husband’s parents are left to give up their home due to losing their jobs, they are left stranded. Seeing her husband’s distress at being unable to help, Lexie allows her mother to welcome them to stay with her. Things start off okay, but then the tables start to turn. Instead of being grateful, they start to complain about everything, resulting in a call to social services.
Not long after Cameron and I got married, his parents were faced with unfortunate circumstances. His mom, Jessica, and dad, Roger had no choice but to give up their home because Roger had lost his job.
An elderly couple sitting on a bench | Source: Unsplash
Cameron and I didn’t have the space to take them in. But they were desperate, and so were we. We couldn’t let them just try and figure it out for themselves.
When they realized that my mother lives alone, they asked her to let them move in with her. My mom had a double-story house, but due to being wheelchair bound since a car accident a few years ago, she had a live-in nurse to care for her.
A broken windshield | Source: Pexels
“Please, Tanya,” my mother-in-law said when we were all at my mother’s house for dinner. “We don’t have anywhere else to go. And we don’t have any money available at the moment.”
I knew that this entire thing affected my husband because there was only so much we could do in our own capacity. When my mother agreed, Cameron gripped onto my hand tightly and sighed in relief.
A woman in a wheelchair | Source: Midjourney
“Of course, you can stay here. You can stay for as long as you need to,” my mother told them.
At first, things were okay.
My mother-in-law cooked meals, and my father-in-law mowed the grass and took care of the basic upkeep of the house.
A person cutting oranges | Source: Pexels
But then, things changed and social services got involved. It was a nightmare.
This is what happened.
My in-laws began complaining that my mom was occupying the whole first floor, something that was obvious. Since her accident, my sister and I had converted the first floor into an entire house by itself for my mother.
A wheelchair beside a bed | Source: Pexels
She needed her space, and we were going to give it to her. The second floor was for our space when we visited Mom.
Instead of being grateful, my in-laws complained that they couldn’t put their stuff there. They mumbled about the simple food my mother had in her fridge.
An open fridge | Source: Pexels
“It’s such basic foods. There’s nothing new or different here,” Roger would say.
But still, even though they complained, they didn’t try to buy their own food or food that they would have liked to eat on occasion.
An elderly couple shopping | Source: Pexels
Nothing changed when Jessica got a job as head librarian at the local library or when Roger got a job as a proofreader for the local newspaper.
“Don’t you think they should start looking for a new place?” Cameron asked me when we were taking a walk one evening.
An elderly woman in a library | Source: Pexels
“I’m sure your mom cannot wait to have the house back,” he said.
“Actually,” I replied. “I think she enjoys having people there. She always said that it was too quiet with just her and Linda.”
“Yeah, I get that,” he said. “But my parents can be a lot.”
A couple taking a walk | Source: Pexels
It was as if my husband had spoken it into existence.
One day, as I went over to my mother’s house with pastries, I found her looking upset.
“What’s wrong?” I asked her immediately.
Pastries in a box | Source: Pexels
“Cameron’s parents,” she began slowly. “They’ve been hinting about a nursing home for me. I heard them talk about it last night, too.”
“Mom, do you want me to ask them to leave? They’re crossing the line,” I said, worried about her well-being.
A woman holding her face | Source: Unsplash
“Oh, honey,” she said, a mysterious smile forming on her face. “I’ll take care of everything, don’t you worry.”
A few days later, my mother-in-law called us crying.
“How could Tanya do that to us?” she asked.
A crying old woman | Source: Pexels
Apparently, my mother had told them to pack their things and move to the first floor because she was ready to move into a nursing home. She said that she needed the help and that she wanted to live a little easier.
Cameron’s parents thought that they had won the battle they created.
A healthcare facility | Source: Unsplash
Instead, my mother had called social services, telling them that she had two individuals who were living with her temporarily but needed the help.
The next day, people from social services arrived at my mother’s doorstep, ready to take Jessica and Roger away to their social housing facilities.
A person holding a phone | Source: Pexels
They were livid.
Cameron and I met them at my mother’s house because they demanded an audience.
“This is outrageous! We thought we were moving downstairs, not out of the house!” my mother-in-law shrieked.
An angry old woman | Source: Pexels
“How dare she trick us like this! We have done everything for her these past few months,” my father-in-law added.
Beside me, my husband flinched. He was caught in the middle, not knowing what to do or how to react.
“You took advantage of her kindness and tried to push her into a nursing home. You got what you deserved,” I retorted, barely containing my own anger at their words.
An angry old man | Source: Pexels
“You can’t just throw us out like this!” my mother-in-law protested.
“You’ve got a little place to live now,” my mother said, smiling. “But also, that’s not my problem. I helped you out, and you did nothing but complain. You didn’t want to be here. You were just here because you had no choice. Now, you can learn to fend for yourselves.”
Jessica was appalled. I don’t think she expected my mother to retaliate in that way.
A smiling woman in a wheelchair | Source: Unsplash
It was true, social services housed them in a little apartment which was close to both their jobs. They would be absolutely fine until they chose to move elsewhere.
As they left, they continued to curse, but it was clear that they had been defeated by the whole episode.
A small apartment | Source: Unsplash
“I’m sorry,” my husband told my mother when we settled her down again. “This was all my fault.”
It took a while for my mother to calm him down and make him realize that nothing was his fault.
“Your parents needed a place to stay, and they were welcome to do so here, but they continued to complain. They made life difficult here. Everything was a problem,” she said.
An upset man | Source: Unsplash
I continued to work my way around the kitchen while they spoke. I knew that my husband needed a pick-me-up, so I made his favorite Indian dishes, hoping that it would do the trick.
If I had to admit it, I also felt like it was my fault. I should have objected to the move in the first place. But I knew that my in-laws needed a place to live when they lost their homes. And maybe it was because of guilt.
A plate of food | Source: Unsplash
Guilt born from the mere fact that Cameron and I couldn’t do it ourselves, that we both had allowed them to live with my mother.
As we got into bed that night, I told my husband that we needed to see his parents. We needed to make sure that they were okay, despite their horrible behavior, they needed to know that we still cared.
A couple lying together | Source: Unsplash
The following day, we met them at their new apartment. It was a quaint little place, but it was just enough for the two of them. As we walked in, there were boxes lying everywhere and the smell of burnt toast permeated the air.
“I didn’t check the toaster setting,” Roger said, as his way of explaining.
Opened cardboard boxes | Source: Midjourney
We ended up taking them to a café for lunch, where they admitted to their behavior.
“We were in the wrong,” my mother-in-law said. “We know that now. We saw an easy way to live with Tanya, and we just wanted more. But now, we have to make it work for ourselves.”
An interior of a coffee shop | Source: Unsplash
I dug into my pancakes while Cameron let his parents have a piece of his mind. He went on about how they needed to be responsible for their actions and that nothing would make up for their behavior toward my mother.
“You embarrassed me. And you took advantage of my wife’s mother,” he said. “Do you know how that makes me feel?”
A stack of pancakes | Source: Unsplash
I allowed him to talk his way through it, while his parents continued to eat their eggs benedict in silence.
As we drove home, my husband stopped to get my mother a bouquet of flowers.
“She deserves it,” he said.
A bouquet of flowers | Source: Unsplash
What would you have done?
If you enjoyed this story, here’s another one for you |
When Katie discovers that her mother-in-law has been making strange dolls for her daughter, she confronts the old woman, only to discover that she has been holding onto grief for her entire life. But what does that mean for the mysterious dolls? And the little girl who plays with them?
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
Catherine Deneuve: The 60s Icon Who Still Stuns the World With Her Timeless Beauty
It’s been nearly sixty years since 24-year-old Catherine Deneuve and her older sister Françoise Dorléac starred as twins in *The Young Girls of Rochefort*.
The movie, which also featured a young Gene Kelly, was the last film the sisters made together. Deneuve went on to become internationally famous, while Françoise’s life and career were tragically cut short.
Born into an acting family, Deneuve, now 79, made her first appearance in the 1957 French movie *The Twilight Girls*. Her big break came in 1960 when she starred in *The Umbrellas of Cherbourg*, a romantic musical that highlighted her French style and innocence, launching her into stardom. This was just the beginning of many films she would make with director Jacques Demy.
Her talent for dramatic roles caught the eye of legendary director Roman Polanski, who cast her in the psychological thriller *Repulsion*. Deneuve’s brilliant performance as Carol, a mentally troubled woman, earned her the nickname “ice maiden.” This image was solidified in her next film, *Belle de Jour*, where she played a housewife who secretly works as a prostitute—a role that won her awards and global fame.
In 1963, Deneuve became a mother, having a son with French screenwriter Roger Vadim. She later had the chance to star alongside her older sister, Françoise Dorléac, in the 1967 musical *The Young Girls of Rochefort*. The two sisters were very close, and with their similar looks, playing twins in the movie felt natural.
But just three months after *Rochefort* was released, tragedy struck. Françoise, at only 25, died in a car accident, a moment Deneuve describes as the most painful in her life.
“The day I lost my sister, I lost my joy of living… it is the most painful thing I have experienced,” she shared in an interview with *Paris Match*, a French weekly magazine.
The loss of her sister didn’t slow down Catherine Deneuve, who became the epitome of 1960s glamor, often seen as a femme fatale wrapped in Yves Saint Laurent.
Deneuve, known as the face of French cinema, has appeared in over 120 films throughout her 60-year career. Reflecting on how the industry has changed, Deneuve explained, “Human nature is vast. There are roles more suited to people of my generation. As you age, it’s the same in life—you gain experience and play characters you couldn’t when you were 30.” She added, “It’s hard to find the right path. You can age better in Europe than in America. But women today look younger than they did 50 years ago. Back then, a 50-year-old woman looked her age. Now, not so much.”
Despite her worldwide fame, Deneuve has mostly starred in French films, with only a few roles in English-language films.
Catherine Deneuve explained why she mostly supports French cinema, saying, “I feel very French, but I speak Italian and English, so I feel very European. However, I don’t feel close to English people. Even though England is not far, their sensibility and character are very different.” She added, “I feel closer to Spanish or Italian people because the Latin character is different from the Anglo-Saxon one. We have different educations and cultures.”
Some of her English-speaking roles include *The April Fools* with Jack Lemmon (1969), *Hustle* with Burt Reynolds (1973), *March or Die* with Gene Hackman (1977), and the 1983 cult classic *The Hunger*, where she played a lesbian vampire alongside David Bowie and Susan Sarandon.
In 1972, Deneuve divorced British photographer David Bailey, whom she married in 1965 after meeting at a Playboy shoot. Their wedding guests included Mick Jagger. From 1970 to 1974, she was in a relationship with Italian film icon Marcello Mastroianni, with whom she had a daughter in 1972.
In 1980, Catherine Deneuve delivered an award-nominated performance in *The Last Metro*, starring alongside another famous French actor, Gérard Depardieu. This marked the beginning of a successful collaboration, as they would appear in 15 films together.
Deneuve mentioned that she and Depardieu have similar work styles, saying, “We are both instinctive actors. We prefer to arrive on set and figure things out in the moment rather than rehearse ahead of time.”
In the 1990s, Deneuve received an Oscar nomination and a César Award (France’s national film award) for her role in the French period drama *Indochine*. The film, released in 1992, also won an Oscar for Best Foreign Language Film.
The 2000s introduced Catherine Deneuve to new roles, including the award-winning musical drama *Dancer in the Dark*, where she starred alongside the unique Icelandic singer Björk. In 2010, she reunited with Gérard Depardieu for the eighth time in the film *Potiche*.
After appearing in the 2019 film *The Truth* with Ethan Hawke and Juliette Binoche, Deneuve was filming the French movie *Peaceful* when she was hospitalized due to a stroke. Although her family described it as a “very limited” ischemic stroke, production on the film was delayed until July 2020, when the then 76-year-old actress was able to return. Deneuve, who had smoked since she was 16, finally quit after her month-long hospital stay.
Honored with a lifetime achievement award at the 2022 Venice Film Festival, the French icon, who celebrates her 80th birthday this year, continues to thrive, and we look forward to seeing her in many more films!
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