Vince Gill is a country singer with an impressive resume; boasting the most Grammy Awards ever won by a male country music singer and more than 20 albums to his name.
Gill who was inducted into the Country Music Hall of Fame in 2007, first came to our attention as a member of country rock band Pure Prairie League in 1979.
Four decades later he is a much-loved and much in demand performer who was invited to sing on the legendary Grand Ole Opry stage alongside the band Little Big Town.
But bosses told him he could perform on one condition — he didn’t sing about Jesus.
So how could anyone deny this talented, brilliant artist the right to sing the song he wanted at a performance?
His response caused the crowd to jump to their feet.
Gill, who was born in Oklahoma in 1957, became a solo artist in the ’80s. In recent years the devout christian has incorporated more gospel music into his appearances.
Recently he was invited to perform at the Grand Ole Opry, in Nashville Tennessee, a weekly country music stage concert which has been going since 1925.
But bosses said he could perform as long as he didn’t do any religious songs, namely about Jesus.
Gill could have adhered to this instruction ignoring his instinct to want to sing about his faith. But instead he did something different.He ignored these rules and instead sang “Why Me Lord,” a powerful song written and recorded by American country music artist and gospel singer Kris Kristofferson in 1972.
Since, the song has been performed by musical greats such as Elvis Presley and Johnny Cash.
Gill’s performance resulted in a standing ovation showing that nobody else really cared what the song was about but how moving the performance was.
See a clip of him performing in the video below.
Gill’s decision to perform a song true to his faith and musical style is truly brave, and not everyone would have had the guts to defy orders this way.
Then again, when you’re in the Country Music Hall of Fame, you get to make your own rules sometimes!
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Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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