Found in a bedroom of the 100 yr old house i just moved into, what can it be for?

House built in 1916–on the other side of this wall is what used to be a “sewing room”, according to my landlord. the house has about eight bedrooms and was definitely tricked tf out for it’s time period. i can enter the sewing room on the other side, and i’ve looked all around on the floor, where i believe the door would open up to..

but can’t find the backside of the tiny door! it’s painted over, and feels very secure- almost locked. this house has a complex laundry chute system but this seems way too small to be a part of it.

this room clearly was built as a bedroom, as there is a bathroom and a closet, neither of which are near this bizarre little architectural feature.

r/whatisthisthing - found in a bedroom of the 100 yr old house i just moved into, what can it be for?

Some of the answers:

         

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Nestled within the historic Spruce Hill neighborhood of Philadelphia, Pennsylvania, stands a testament to timeless elegance and architectural ingenuity: the Victorian masterpiece crafted by the renowned architect George Hewitt. This majestic residence, steeped in rich history and adorned with intricate details, serves as both a beacon of Victorian charm and a symbol of the neighborhood’s enduring allure.

George Hewitt, a prominent figure in 19th-century American architecture, left an indelible mark on Philadelphia’s landscape with his distinctively designed homes. His keen eye for detail and commitment to craftsmanship are exemplified in this particular gem located in Spruce Hill. Constructed during the height of the Victorian era, this residence stands as a testament to the opulence and sophistication of the time.

From the moment one sets eyes on the exterior façade, it becomes evident that this home is a work of art. Elaborate trimmings, ornate gables, and a meticulously crafted porch invite visitors to step back in time and immerse themselves in the grandeur of the Victorian era. The intricate woodwork, often referred to as “gingerbread,” adorns the exterior, adding a whimsical charm that is quintessentially Victorian.

Upon entering the home, guests are greeted by an interior that seamlessly blends classic elegance with modern comfort. High ceilings, intricate moldings, and stained glass windows evoke a sense of grandeur, while carefully curated furnishings and decor infuse warmth and character into each room. From the ornate parlor to the cozy sitting rooms, every space exudes a unique charm that reflects the owner’s dedication to preserving the home’s historical integrity.

Jacqueline Bisset, 78, continues to wow audiences with her natural beauty 

Jacqueline Bisset is magnificent – in so many ways.

In a career spanning 58 years and a portfolio that includes about 50 films, the 78-year-old actress shows no signs of slowing down.

Jacqueline Bisset has been one of my role models since I was a very little girl, my parents just loved her. To me, she really is one of the few actresses that represent the glamour that Hollywood once had.

I admire her aging naturally and always thought she had a very natural beauty and sex appeal. She never wore tons of makeup.

Throughout her storied career, the brown-haired beauty, known for her high cheekbones and striking green eyes, has demonstrated her versatility by playing a range of characters including the sultry seductress Miss Goodthighs in the spy parody Casino Royale (1967), a devoted mother in Sleepy Time Gal (2001), First Lady Jacqueline Kennedy Onassis in America’s Prince: The John F. Kennedy Jr. Story (2003) and Anna Karenina (1985) in the sweeping love story of the same name, where she starred opposite Christopher Reeves.

Bisset made her first on-screen appearance in Roman Polanski’s Cul-de-Sac (1966) and gained notoriety in 1968 when she starred in back-to-back films in one single year: Detective with crooner Frank Sinatra, Bullitt with Steven McQueen, and her Golden Globe-nominated performance in The Sweet Ride with Tony Franciosa and Bob Denver, who’s famously known as Gilligan on Gilligan’s Island.

You’ll also recognize her from her performances in Day for Night (1973), Murder on the Orient Express (1974), The Deep (1977), Wild Orchid (1990), her Golden Globe and Emmy-nominated role in Joan of Arc (1999), her Golden Globe-winning role in the miniseries Dancing on the Edge (2013), Miss You Already (2015) and Birds of Paradise (2021).

In 2010, the multilingual actor–she speaks English, French and Italian–was awarded the Legion of Honor, the highest state order in France, and in 2023, Sedona International Film Festival recognized Bisset with a Lifetime Achievement Award.

Despite filming with some of Hollywood’s hottest men, Bisset has never been married. The stunning woman was pursued by Frank Sinatra, and rumors swirled that she was involved with Bullitt co-star, Hollywood bad boy, Steve McQueen. But Bisset, a proper English lady, said they were too different.

Referring to McQueen, she said in an interview with the Daily Mail, “He was attractive, but a little scary. I was very English and he was a hip American. The way he talked would have driven me mad–I didn’t know what a dude or a soul chick was!”

She’s had long-term relationships with Canadian actor Michael Sarrazin, the ballet dancer Alexander Godunov and actor Vincent Pérez, but she admits she’s too independent for anything permanent.

In an interview with the Independent, Bisset said, “I’ve had some very interesting men in my life. They have been a handful. I don’t choose easy men, I’m told.” She continued, “Sometimes you get too much information when you spend time with people. You start to see things–bad habits. You start to discover them and then you have to marry bad habits and I’m not sure I can cope with them. I don’t ever have bad relationships. I haven’t broken up angry. I’ve just moved out of situations that have been overwhelming.”

Though Bisset–Godmother to Angelina Jolie–hasn’t made headlines for having outrageous relationships, she was trending after she won the Golden Globe for her portrayal as Lady Cremone in the BBC series Dancing on the Edge.

Her acceptance speech, with the background music playing to signal her off the stage, was mostly filled with ramblings but demonstrated genuine gratitude from the then 69-year-old, who had been waiting 47 years to win, since her first nomination for best newcomer.

Since then, she starred as a sassy femme fatale in the French thriller The Lodger (2020), and most recently, she appeared in the film Loren & Rose (2022). Bisset plays the lead character Rose, a legendary actor trying to re-establish her career, who’s bound by a reputation that casts her as being a “little zany and a bit unreliable.”

According to the film’s director Russell Brown, the character of Rose is the opposite of Bisset in real life. Brown said, “Viewers often assume that Jacqueline is ‘like she is in the movie.’ But this really isn’t the case–as an actress and a woman, I think she is quite different from Rose, and it’s a testament to her skill that the transformation feels so seamless.”

Bisset is a timeless beauty who embraces aging with grace. In her infamous Golden Globes speech, she said: ‘I believe, if you want to look good, you’ve got to forgive everybody. It’s the best beauty treatment.’

She’s also said that though in her youth she had “lots of complexes” she was never tempted by plastic surgery. “I don’t think it makes you look younger. It makes you different,” said Bisset.

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