Swifties, her devoted fan group, are well-known for her gorgeous makeup appearances in addition to her musical prowess and amorous exploits. Ever before her breakout single “Tim McGraw” reached the top of the Billboard charts in 2006, the singer has dabbled in a range of cosmetic appearances. In addition to lengthy lashes, Swift has also dabbled in pink tones, blue eyeliner, dark, smokey eyes, and cat eyes that are “sharp enough to kill a man.” Not to mention how flawlessly she’s worn every red lipstick. Have you ever pondered, though, how Taylor Swift looked by herself?
The star has openly admitted to have the reasonable but unwanted tendency of forgetting to remove her makeup, despite her appearing flawless beauty. In 2011, Swift told Allure, “I don’t always remember to remove my makeup. Alright, pretty much all the time.” The pop queen, though, appears just as stunning without makeup as she does when taking the stage at her sold-out gigs and appearing on TV.
paired with a grin
On January 22, 2019, Taylor Swift shared a carefree selfie wearing a denim jacket, lovely dirty blonde hair brushed to the side, and minimal makeup. She put a smile next to her “Cats” character, Bombalurina, with the proper hashtag, “Meow,” in the caption of the picture. Even without makeup, the celebrity had gorgeous eyes, full lips, and clear skin. With raised eyebrows and a slightly menacing appearance, this selfie radiates a dynamic feeling, which is enhanced by the absence of cosmetics.
Still, what can we say? You really are lovely.
On October 24, 2022, Taylor Swift demonstrated that makeup is not required to take a depressing photo, especially when she was announcing the release of her most current album. The musician, dressed in fairytale-inspired clothing, looked stunning without makeup, gazing off into the distance with her hair styled in a braided bun. The ad image’s description went on, “Midnight, such a famous and storied hour… This sparkling evening, I’ll be offering my personal interpretation of a well-known fable. Given the success of her “Midnights” album, this picture not only demonstrated Swift’s natural beauty but also her inner and outer brilliance.
True Swifties all know that Taylor Swift loves to look nice in sweaters, or should we say, cardigans. On October 24, 2018, the artist disclosed her love for turtlenecks—possibly more than her taste in makeup. The music diva flaunted her famous blond bangs and gorgeous blue eyes in a photo she took while sporting a black, form-fitting turtleneck. The post’s description joked, “Here we can observe an Australian swiftlet in her natural habitat, a turtleneck.” The subsequent images in the post showcase Swift experimenting in a natural Australian location, contributing to the grounded and organic vibe of the selfie.
Never go out of style
During the COVID-19 lockdowns, almost all active social media users posted at least one picture of themselves taken at home without makeup and captioned it with something about how bored they were. Following the trend, Taylor Swift shared a stunning makeup-free selfie on Instagram on April 27, 2020. She added, “Not a lot going on at the moment,” as the caption for the photo, her characteristic blond curls hanging just over her clavicle as she looked straight into the camera. Swift’s caption discussed the lockdown experience, but what really caught viewers off guard—or not—was how beautifully makeup-free Swift appeared.
Drone Captures Rare Images of Isolated People Who Are Cut Off From the World
G. Miranda’s breathtaking photographs, captured for Survival International, offer a rare glimpse into the secluded existence of various uncontacted tribes worldwide. From the enigmatic Sentinelese on North Sentinel Island, India, to the Amazon tribes near Brazil’s Javari River valley bordering Peru, these images provide a captivating aerial view.
The drone photographs are proof of the existence of untouched tribes.
A mesmerizing compilation video, shared on Death Island Expeditions’ YouTube channel in 2018, has garnered over 3.5 million views, showcasing these remote settlements and their inhabitants. Witness tribespeople, armed with traditional bows and arrows, gazing curiously at the hovering drones, offering a poignant insight into their untouched world.
It amuses people by showing the lives of tribespeople, which are different from ours.
Captivated viewers on YouTube expressed profound astonishment at the vast disparity between their lives and those of these tribespeople. One commenter marveled, “It blows my mind how different our lives are. The fact that they don’t even know about the existence of grocery stores, factories, phones, social media, everything that makes our society what it is. It’s so surreal.”
However, these untouched tribes are now in danger and need protection.
FUNAI, Brazil’s National Indian Foundation, plays a pivotal role in formulating policies concerning indigenous tribes, and their involvement in capturing drone footage underscores their commitment to preserving these cultures.
While some imagery dates back to 2008, as reported by Survival International, the significance of these visuals remains timeless, as emphasized by uncontacted tribes expert José Carlos dos Reis Meirelles Júnior. He highlighted the urgent need to protect these tribes from external threats, such as illegal logging activities encroaching from Peru.
“We did the overflight to show their houses, to show they are there, to show they exist,” he said.
A film has also been released. The Mission, a poignant documentary directed by Amanda McBaine and Jesse Moss, sheds light on the tragic fate of American missionary John Allen Chau. His ill-fated attempt to make contact with the Sentinelese people in 2018 resulted in his untimely demise, symbolizing the delicate balance between curiosity and respect for these isolated communities.
Another curious discovery occurred in Peru. The discovery of “alien mummies” at the airport has captured global attention, and scientists have revealed something disturbing.
Preview photo credit Death Island Expeditions / YouTube, G. Miranda/FUNAI/Survival
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