The house was built in the late twenties of the twentieth century for banker Dimitar Ivanov and his wife Nadezhda Stankovic. Inside, the accent falls on the red marble fireplace located in the reception hall. There is a podium for musicians as well as crystal glasses on the interior doors. Several bedrooms, beautiful terraces, a large study room and service rooms. Nothing of the furniture is preserved, but it is known that high-class Sofia citizens at that time preferred furniture from Central and Western Europe.
The exterior is a large front yard facing the street, separated from the sidewalk by a beautiful wrought iron fence. Triple staircase to the entrance of the house, but it is always very impressive that the special portals for carriages and carriages on both sides of the yard. Even today I imagine a cabin with the members of the invited family entering the yard of the house through one portal, the horseshoes and the carriage staying in the space behind the house, specially tailored for that while waiting for the reception to end and go out again from the yard, but through the other portal.
Banker Ivanov’s family lived happily in the house, at least until 1944. After the war the property was nationalized and originally housed the Romanian embassy. Later in the year, the house was a commercial representation of the USSR in Bulgaria, as well as the headquarters of the administration of various communist structures of unclear purpose.
In the 90’s the house was restituted and returned to the heir of the first owner-banker Dimitar Ivanov. Since 2004 the property is the property of the director of Lukoil-Valentin Zlatev, who has not yet shown any relation to this monument of culture. The beautiful house once ruined for decades and is now sadly sad.
Simon Cowell started crying! The boy sang such a song that Simon couldn’t speak. He went up to the stage to kiss the boy
In a remarkable turn of events on the renowned talent show stage, Simon Cowell, known for his discerning and often stoic demeanor, found himself visibly moved to tears by a young singer’s heartfelt performance. The emotional impact of the boy’s song was so profound that it left Cowell speechless, a rare occurrence for the typically outspoken judge.
As the boy’s melodious voice filled the room, weaving a tapestry of emotions through his chosen song, it was evident that something extraordinary was unfolding. Each note seemed to resonate with an authenticity and depth that transcended mere performance, touching the hearts of everyone present, including Cowell himself.
Unable to contain his emotions, Cowell rose from his seat and made his way to the stage, drawn by the sheer rawness and vulnerability of the boy’s performance. And then, in a moment that stunned the audience and contestants alike, Cowell approached the young singer and embraced him, a gesture of appreciation and admiration for the profound impact of his talent.
In that fleeting moment, barriers were broken, and a powerful connection was forged between judge and contestant, transcending the confines of the competition. It was a reminder that music has the unparalleled ability to move us, to unite us, and to touch the deepest recesses of our souls.
As Cowell wiped away tears from his eyes, his actions spoke volumes, conveying a message of profound respect and recognition for the young singer’s extraordinary gift. And in the midst of the applause and cheers that followed, it became clear that this was not just a performance, but a moment of pure, unadulterated magic that would be etched in the memories of all who bore witness to it.
Leave a Reply