Thirteen years ago, I adopted my late husband’s secret twin daughters after his fatal car crash revealed his double life. I gave them everything, but at sixteen, they locked me out of my home. One week later, I discovered the shocking reason for their actions.
The morning Andrew died began like any other. The sun had just started peeking through my window, painting everything in a soft, golden light that made even my shabby countertops look almost magical.
It was the last normal moment I’d have for a long, long time.
When the phone rang, I almost didn’t answer it. Who calls at 7:30 in the morning? But something, intuition maybe, made me pick up.
“Is this Ruth?” A man’s voice, formal, hesitant.
“Speaking.” I took another sip of coffee, still watching the steam dance.
“Ma’am, I’m Officer Matthews with the Police Department. I’m sorry to inform you, but your husband was in an accident this morning. He didn’t survive.”
The mug slipped from my hand, shattering against the linoleum. Coffee splashed across my bare feet, but I barely felt it. “What? No, that’s… no… not my Andrew!”
“Ma’am…” The officer’s voice softened. “There’s more you need to know. There was another woman in the car who also died… and two surviving daughters. Records in our database confirm they’re Andrew’s children.”
I slid down the kitchen cabinet until I hit the floor, barely registering the coffee soaking into my robe.
The room spun around me as ten years of marriage shattered like my coffee mug. “Children?”
“Twin girls, ma’am. They’re three years old.”
Three years old. Three years of lies, of business trips and late meetings. Three years of another family living parallel to mine, just out of sight. The jerk had been living a whole other life while I’d been suffering through infertility treatments and the heartache of two miscarriages.
“Ma’am? Are you still there?”
“Yes,” I whispered, though I wasn’t sure I was. Not really. “What… what happens to them now?”
“Their mother had no living relatives. They’re currently in emergency foster care until—”
I hung up. I couldn’t bear to hear more.
The funeral was a blur of black clothes and pitying looks. I stood there like a statue, accepting condolences from people who didn’t know whether to treat me like a grieving widow or a scorned woman.
But then I saw those two tiny figures in matching black dresses, holding hands so tightly their knuckles were white. My husband’s secret daughters.
One had her thumb in her mouth. The other was picking at the hem of her dress. They looked so lost and alone. Despite the hurt of Andrew’s betrayal, my heart went out to them.
“Those poor things,” my mother whispered beside me. “Their foster family couldn’t make it today. Can you imagine? No one here for them except the social worker.”
I watched as one twin stumbled, and her sister caught her automatically like they were two parts of the same person. Something in my chest cracked open.
“I’ll take them,” I heard myself say.
Mom turned to me, shocked.
“Ruth, honey, you can’t be serious. After what he did?”
“Look at them, Mom. They’re innocent in all this and they’re alone.”
“But—”
“I couldn’t have my own children. Maybe… maybe this is why.”
The adoption process was a nightmare of paperwork and questioning looks.
Why would I want my cheating husband’s secret children? Was I mentally stable enough? Was this some form of revenge?
But I kept fighting, and eventually, Carrie and Dana became mine.
Those first years were a dance of healing and hurting. The girls were sweet but wary as if waiting for me to change my mind. I’d catch them whispering to each other late at night, making plans for “when she sends us away.”
It broke my heart every time.
“We’re having mac and cheese again?” seven-year-old Dana asked one night, her nose wrinkled.
“It’s what we can afford this week, sweetie,” I said, trying to keep my voice light. “But look — I put extra cheese on yours, just how you like it.”
Carrie, always the more sensitive one, must have heard something in my voice. She elbowed her sister.
“Mac and cheese is my favorite,” she announced, though I knew it wasn’t.
By the time they turned ten, I knew I had to tell them the truth. The whole truth.
I’d practiced the words a hundred times in front of my bathroom mirror, but sitting there on my bed, watching their innocent faces, I felt like I might throw up.
“Girls,” I started, my hands trembling. “There’s something about your father and how you came to be my daughters that you need to know.”
They sat cross-legged on my faded quilt, mirror images of attention.
I told them everything about Andrew’s double life, their birth mother, and that terrible morning I got the call. I told them how my heart broke when I saw them at the funeral and how I knew then that we were meant to be together.
The silence that followed felt endless. Dana’s face had gone pale, her freckles standing out like dots of paint. Carrie’s lower lip trembled.
“So… so Dad was a liar?” Dana’s voice cracked. “He was cheating on you?”
“And our real mom…” Carrie wrapped her arms around herself. “She died because of him?”
“It was an accident, sweetheart. A terrible accident.”
“But you…” Dana’s eyes narrowed, something hard and horrible creeping into her young face. “You just took us? Like… like some kind of consolation prize?”
“No! I took you because—”
“Because you felt sorry for us?” Carrie interrupted, tears streaming now. “Because you couldn’t have your own kids?”
“I took you because I loved you the moment I saw you,” I reached for them, but they both flinched back. “You weren’t a consolation prize. You were a gift.”
“Liar!” Dana spat, jumping off the bed. “Everyone’s a liar! Come on, Carrie!”
They ran to their room and slammed the door. I heard the lock click, followed by muffled sobs and furious whispers.
The next few years were a minefield. Sometimes we’d have good days when we went on shopping trips or cuddled together on the sofa for movie nights. But whenever they got angry, the knives came out.
“At least our real mom wanted us from the start!”
“Maybe she’d still be alive if it wasn’t for you!”
Each barb found its mark with surgical precision. But they were entering their teens, so I weathered their storms, hoping they’d understand someday.
Then came that awful day shortly after the girls turned sixteen.
I came home from work and my key wouldn’t turn in the lock. Then I spotted the note taped to the door.
“We’re adults now. We need our own space. Go and live with your mom!” it read.
My suitcase sat by the door like a coffin for all my hopes. Inside, I could hear movement, but no one answered my calls or pounding. I stood there for an hour before climbing back into my car.
At Mom’s house, I paced like a caged animal.
“They’re acting out,” she said, watching me wear a path in her carpet. “Testing your love.”
“What if it’s more than that?” I stared at my silent phone. “What if they’ve finally decided I’m not worth it? That I’m just the woman who took them in out of pity?”
“Ruth, you stop that right now.” Mom grabbed my shoulders.
“You’ve been their mother in every way that matters for thirteen years. They’re hurting, yes. They’re angry about things neither of you can change. But they love you.”
“How can you be sure?”
“Because they’re acting exactly like you did at sixteen.” She smiled sadly. “Remember when you ran away to Aunt Sarah’s?”
I did. I’d been so angry about… what was it? Something trivial. I’d lasted three days before homesickness drove me back.
Five more days crawled by.
I called in sick to work. I barely ate. Every time my phone buzzed, I lunged for it, only to be disappointed by another spam call or a text from a concerned friend.
Then, finally, on the seventh day, I got the call I’d longed for.
“Mom?” Carrie’s voice was small and soft, like when she used to crawl into my bed during thunderstorms. “Can you come home? Please?”
I drove back with my heart in my throat.
The last thing I expected when I rushed through the front door was to find my house transformed. Fresh paint coated the walls, and the floors gleamed.
“Surprise!” The girls appeared from the kitchen, grinning like they used to when they were little.
“We’ve been planning this for months,” Dana explained, bouncing on her toes. “Working at the mall, babysitting, saving everything.”
“Sorry for the mean note,” Carrie added sheepishly. “It was the only way we could think of to keep it a surprise.”
They led me to what used to be their nursery, now transformed into a beautiful home office. The walls were soft lavender, and there, by the window, hung a photo of the three of us on adoption day, all teary-eyed and smiling.
“You gave us a family, Mom,” Carrie whispered, her eyes wet. “Even though you didn’t have to, even though we were a reminder of everything that hurt. You chose us anyway, and you’ve been the best mom ever.”
I pulled my girls close, breathing in the familiar smell of their shampoo, feeling their hearts beat against mine.
“You two are the best things that have ever happened to me. You gave me a reason to keep going. I love you more than you’ll ever know.”
“But we do know, Mom,” Dana said, her voice muffled against my shoulder. “We’ve always known.”
Kris Kristofferson, the actor from A Star Is Born and a country music legend, has passed away at the age of 88.
Kris Kristofferson, the much-loved actor and country music singer-songwriter, passed away at his home in Maui on September 28.
Kris Kristofferson, the famous actor and country singer-songwriter, has passed away at the age of 88.
A representative said he was surrounded by his family and died “peacefully” at his home in Maui on Saturday, September 28.
In a statement shared with PEOPLE, his family said, “It is with heavy hearts that we share the news that our husband, father, and grandfather, Kris Kristofferson, passed away peacefully at home on Saturday. We feel so blessed to have had our time with him. Thank you for loving him all these years, and when you see a rainbow, know he’s smiling down at us all.”
Kris Kristofferson was born on June 22, 1936, in Brownsville, Texas. His parents were Mary Ann and Lars Henry Kristofferson, who was a Swedish immigrant and an Air Force general. Kris developed a love for country music early on and wrote his first song, “I Hate Your Ugly Face,” when he was just 11 years old. As a military kid, he moved a lot before his family settled in San Mateo, California, during his teenage years.
According to his website, Kris had two short stories published in Atlantic Monthly when he was 18. In 1954, he went to Pomona College in California, where he played football, boxed in Golden Gloves competitions, and was the sports editor for the school newspaper. He was even featured in Sports Illustrated’s “Faces in the Crowd” issue in 1958. After graduating with a degree in creative writing, he earned a Rhodes Scholarship and completed his master’s in English literature at Oxford University in 1960.
According to the U.S. Department of Veterans Affairs, after college, Kris Kristofferson’s parents encouraged him to join the military. He enlisted in the U.S. Army and, within five years, became a helicopter pilot and reached the rank of captain. While stationed in West Germany in the early 1960s, he continued writing songs and formed a band with other soldiers. After his service, he was offered a job teaching English at West Point military academy.
However, during a visit to Nashville, Tennessee, while on leave, he rediscovered his love for music. This led him to leave the Army in 1965 and pursue a career in music full-time. In a 2010 interview, Kris said, “I just fell in love with the music community there. The older musicians really supported the newcomers, and it was a very soulful time. It was the best decision I ever made.”
In Nashville, Kris Kristofferson worked as a night janitor at Columbia Studios while submitting songs he wrote, like “For the Good Times” and “Sunday Mornin’ Comin’ Down.” “For the Good Times” was first recorded by Bill Nash in 1968, but it became a hit when Ray Price released his version in 1970. The song appeared on Kristofferson’s debut album and earned a Grammy nomination for Best Country Song in 1972. It was even covered by soul legend Al Green.
Kristofferson’s song “Sunday Mornin’ Comin’ Down,” also from his first album, was picked up by Ray Stevens and Johnny Cash. Cash’s version became a hit, winning Song of the Year at the 1970 CMA Awards and reaching No. 1 on the country charts.
Another famous Kristofferson song, “Me and Bobby McGee,” co-written with Fred Foster, was released on Janis Joplin’s posthumous 1971 album Pearl. The song became a massive hit, reaching No. 1 on the pop charts and earning two Grammy nominations in 1972. That same year, Kristofferson won his first Grammy for Best Country Song for Sammi Smith’s version of “Help Me Make It Through the Night.”
Throughout the 1970s, Kristofferson released more albums and hits, including “Loving Her Was Easier (Than Anything I’ll Ever Do Again)” and “Why Me,” which earned two Grammy nominations. He also worked with his second wife, singer Rita Coolidge, on several albums, winning two Grammys for their duets “From the Bottle to the Bottom” and “Lover Please.”
In a 1970 New York Times article, Kristofferson was described as “a poet more than a musician,” admired for his ability to connect country, pop, and underground music.
Kristofferson also became a successful actor, appearing in films like Cisco Pike (1972), Pat Garrett & Billy The Kid (1973), and Alice Doesn’t Live Here Anymore (1974). Despite having no acting experience, he felt confident about acting and took on roles based on his understanding of the characters.
His big break came with his role as a troubled rock star in the 1976 remake of A Star Is Born, alongside Barbra Streisand. This role won him a Golden Globe for Best Actor in 1977. He later became known for playing Whistler in the Blade trilogy with Wesley Snipes.
Music was always a big part of Kris Kristofferson’s life. He teamed up with Johnny Cash, Waylon Jennings, and Willie Nelson to form the country supergroup The Highwaymen. Their first album, Highwayman, and its title song topped the country charts in 1985. The group released two more albums: Highwayman 2 in 1990 and The Road Goes On Forever in 1995.
Throughout his long career, Kristofferson received many awards, including three Grammys and a lifetime achievement award from the Recording Academy in 2014. He was also nominated for an Oscar in 1985 for Best Original Song for the movie Songwriter, in which he starred with Willie Nelson. In 2004, he was inducted into the Country Music Hall of Fame.
In 2013, Kristofferson shared his struggle with memory loss. At first, doctors thought he had Alzheimer’s, but it turned out to be Lyme disease, according to CBS News. His wife, Lisa Kristofferson, explained that once he got the right treatment, his condition improved quickly.
“He was on all these medications for things he didn’t have, and they had side effects,” Lisa told Rolling Stone in 2016. “But after treatment, he came back. There are still tough days, but some days he seems perfectly normal, and it’s easy to forget he’s even dealing with anything.”
After releasing his final studio album, The Cedar Creek Sessions, in 2016, Kris Kristofferson officially announced his retirement from music in 2021. He also shared that Morris Higham Management would be handling his estate.
Clint Higham, president of the management company, praised Kristofferson, saying, “He is the artist that every artist wants to be. If there were a Mount Rushmore for songwriters, Kris would be on it.”
When asked about the secret to life in a 2017 interview with Men’s Journal, Kristofferson said, “I once made a list of rules. It said: Tell the truth, sing with passion, work with laughter, and love with heart. That’s a good place to start.”
Kris Kristofferson is survived by his wife, Lisa, along with his eight children and seven grandchildren.
He was first married to Frances Beer, and they had two children: daughter Tracy, born in 1962, and son Kris, born in 1968. With his second wife, Rita Coolidge, he had a daughter named Casey in 1974. Kris and Lisa have five children together: Jesse (born in 1983), Jody (1985), John (1988), Kelly Marie (1990), and Blake (1994).
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