Decades may have passed since Three’s Company graced our screens, but its laughter still echoes in our hearts.
With unforgettable characters and side-splitting misunderstandings, this classic sitcom revolutionized the genre. Now, Joyce DeWitt reveals what really made the show a timeless treasure…
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From the hilarious antics of three single roommates to the unforgettable performances of John Ritter and Suzanne Somers, Three’s Company remains a beloved staple of American television. It’s hard to believe it’s been 40 years since the series finale aired on ABC, yet its charm and humor still resonate today.
To illustrate how long ago Three’s Company became a hit, I just watched the intro. Seeing the shots from Santa Monica Pier during the show’s prime reminds me of how much has changed since they filmed there.
Sadly, neither John Ritter nor Suzanne Somers are with us anymore; both were taken from us far too soon. But keeping the spirit of Three’s Company alive is Joyce DeWitt, 75, who shares her vibrant stories and cherished memories from the beloved show.
”The most dear, precious, tender – and utterly unexpected – experiences that have come from working in ‘Three’s Company’ are the many, many adults who have told me that ‘Three’s Company’ was a safe haven they could count on during their teen years – for some, the only safe haven,” Joyce DeWitt told US Weekly.
Joyce DeWitt circa 1978. (Photo by Images Press/IMAGES/Getty Images)
Starring as Janet Wood alongside John Ritter and Suzanne Somers, DeWitt became a television icon and she was such a day brightener for millions.
She appeared in 171 episodes of the show between 1976 and 1984.
“It was such a gift. I mean, it was iconic. But who would have thought it?” Joyce DeWitt told The Spec. “All we were trying to do was make people laugh. When I think about it, the show was really an attempt to do a contemporary version of a 16th-century farce. It was about silliness running wild. I mean, we were talking about serious issues at times, but that was always somewhere underneath.”
“John Ritter used to say, ‘We don’t want people to just laugh but to fall over their couch laughing,’” she added. “The real issue was always the depth of friendship and the love those characters had for each other. That’s what drew people to them.”
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After Three’s Company ended, DeWitt stepped away from the spotlight for over a decade before making her comeback to acting.
Yet, no matter what she has accomplished or plans to do in the future, the vast majority will always connect her with that iconic show. And there’s a very simple reason for that, according to DeWitt.
“It was a ‘time out’ from the oppressive, challenging, difficult circumstances they were navigating in their young lives,” DeWitt says and adds:
“And, oh by the way, they say the characters also did stupid, crazy stuff that made them laugh. But it was the love, trust and support of the characters, one to the other, that made them lifelong fans.”
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When you look at unedited photos from the Three’s Company set, the camaraderie among the cast shines through, especially in the images of Joyce DeWitt and Suzanne Somers, who played the beloved Chrissy Snow.
Both actresses delivered iconic performances, portraying young women navigating a male-dominated industry. They contributed just as much to the show’s success as John Ritter, and in those early days, their smiles in photos tell a story of friendship and collaboration.
Yet, beneath the laughter, tensions simmered. While Somers was celebrated for her role as “the dumbest blonde in America,” her fight for equal pay created rifts that would grow over time. As she demanded a 500% salary increase — from $30,000 to $150,000 — her relationship with DeWitt became strained. The set, once filled with joy, was now fraught with conflict.
Somers had always viewed the show as a business among serious actors, and she realized that her approach annoyed her co-stars.
Somers was ultimately fired but had to finish the fifth season under strange circumstances. Isolated from her castmates, she filmed her scenes through bizarre phone calls, escorted by security. The tension escalated, leading to a heartbreaking split between Somers and DeWitt.
For over 30 years, they didn’t speak, a silence that seemed hard to reconcile when you viewed their early years together.
”They painted me as she’s trying to ruin the show,” Somers said in 2020. “So, I never talked to anybody on that show ever again. Ever again.”
Some speculated that DeWitt’s rivalry contributed to Somers’ exit, but it was ultimately the salary negotiations that drove a wedge between them.
Their differing circumstances — Somers as a single mother needing financial security versus DeWitt’s focus on her craft — further complicated their relationship.
“We had very different approaches to our careers,” DeWitt said of the relationship between her and Somers following the show. “We had very different needs. I did not have a child that I was supporting on my own. I didn’t have a business head, so I didn’t understand someone who did.”
However, in a beautiful twist, the two finally reunited in February 2012 on Somers’ talk show, Breaking Through. It was clear that they had buried the hatchet.
The former co-stars shared a heartfelt hug, and their open conversation about the past offered a glimpse of healing.
DeWitt expressed her deep respect for Somers’s accomplishments, saying, “You went up against ruthlessness, and it came down, but what you’ve gone on to do is immeasurable.” This moment highlighted the strength of their journey and the power of reconciliation. The two actresses remained friends until Somers’s tragic passing in 2023.
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In the interview with US Weekly, DeWitt spoke fondly of her late co-stars, paying tribute to their lasting impact. Reflecting on Somers, who passed away from breast cancer, DeWitt described her as ”absolutely wonderful.”
She also honored Ritter, who died in 2003 during heart surgery, calling him ”a true gift.”
As we revisit the photos from Three’s Company, we are transported back to a different, happier time—one brimming with laughter, friendship, and unforgettable moments. These images from the set not only celebrate the joy the cast brought to our screens but also highlight the enduring legacy they have left behind.
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RIP John Ritter and Suzanne Somers – gone but never forgotten!
See 1970s icon Faye Dunaway now at 83
Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
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