At 75, my life was mostly quiet, filled with memories of the past. Each day felt long, with nothing much happening. I spent a lot of time thinking about my daughter, Gianna, who had passed away three years earlier. Not a single day went by without her crossing my mind.
One afternoon, while walking along my usual route, I noticed a young woman sitting by the roadside. She was holding a baby in her arms, looking lost and desperate. Something about her reminded me of Gianna, and I couldn’t just walk past her.
My son, Sebastian, lived in another city. He was busy with work and his family. He called sometimes, but visits were rare. I missed him, but I understood. Life pulls us all in different ways.
My days were quiet. I shopped for groceries and went to my weekly book club meetings.
One afternoon, after getting groceries, I saw a young woman sitting by the road, holding a baby wrapped in a thin blanket. She looked tired and sad, but something about her caught my eye.
Maybe it was her eyes, full of exhaustion, or the way she held the baby so protectively. She reminded me of my daughter, Gianna.
I couldn’t just walk past her.
“Do you need help, dear?” I asked softly as I approached.
She looked up, startled. “I don’t want to be a burden,” she whispered, her voice trembling.
“Nonsense,” I said. “You and the baby need warmth. Come with me.”
She hesitated, then nodded. “Thank you,” she whispered.
We walked back to my house in silence. The baby stirred in her arms, and she held him tighter. I brought them inside, offered her a seat, and warmed some tea. The house had felt cold for so long, but now it seemed alive.
“What’s your name, dear?” I asked, handing her the tea.
“Julia,” she replied softly. “And this is Adam.”
I smiled at the baby, who blinked at me with curious eyes. “He’s a handsome boy,” I said, trying to make her feel comfortable.
“Thank you,” Julia said, a small smile forming. “He’s all I have.”
In the days that followed, Julia stayed with me. She got a job at a local store, and I cared for Adam while she worked. He brought joy to the house, his little giggles filling the rooms with life. It felt as though everything had changed.
“Thank you for letting us stay here,” Julia said one evening after putting Adam to bed. She sat across from me, holding a cup of tea.
“It’s been good for me,” I replied. “The house was too quiet before you came.”
“I don’t know what we would’ve done without you,” she said, her eyes full of gratitude.
As weeks passed, we grew closer. Julia shared more about her past, including her five-year-old daughter, Aurora, who was in a hospital.
“She’s… not well,” Julia whispered. “But we don’t talk about it much.” There was sadness in her eyes, but I didn’t push her to say more.
Then one afternoon, everything changed.
I came home early from my book club. The house was too quiet. Julia was supposed to be at work, and Adam was with me, so I didn’t expect anything unusual. But when I walked into my bedroom, I froze.
Julia was standing by my dresser, pulling open the drawers. My jewelry, loose bills, even my mother’s old brooch were scattered on the floor.
“Julia?” I gasped, my heart sinking.
She turned, her face pale, tears instantly filling her eyes. “I can explain,” she stammered, dropping everything in her hands.
“Why?” I whispered, unable to believe what I was seeing.
“I didn’t mean to steal,” Julia cried, shaking. “I just… I didn’t know what else to do. Aurora’s surgery… I can’t afford it, and I can’t lose her. I’ve already lost so much.
Her words hung in the air. Despite my anger, I felt my heart soften. I understood her fear. The thought of her losing her child, like I lost mine, was unbearable.
I knelt beside her, placing a hand on her shoulder. “Julia, I know you’re scared. You should have told me. I could’ve helped.”
She looked up, full of remorse. “I was ashamed. You’ve done so much for me already, and I didn’t want to ask for more.”
“We’ll figure this out together,” I said softly. “You don’t have to do this alone.”
Julia wiped her tears, eyes wide with disbelief. “You’re… not angry?”
“I am,” I admitted. “But I understand why you did it. And I forgive you.”
She stared at me, then threw her arms around me, crying into my shoulder. “Thank you… thank you so much.”
That night, I lay in bed thinking. I couldn’t let Julia face this alone. Aurora needed surgery, and if we worked together, we could make it happen. The next morning, I woke determined. I was going to help.
I hadn’t been involved in the community for years, but in my younger days, I had organized events. I started calling people—old friends, former students, and neighbors.
Word spread quickly. People remembered me from my teaching days, and when I explained Julia’s situation, they wanted to help.
“I’ve got things to donate for an auction,” said Maria, a former student. “We can hold it at the community center.”
“I’ll bake pies for the fundraiser,” said Mrs. Ellison from down the street. “People love my apple pies.”
“We could put on a play,” suggested David, an old friend from the local theater. “Sell tickets to raise money.”
On the day of the fundraiser, the community center was full of people. I watched in awe as everyone came together to help Julia and Aurora. The auction went well, with people bidding generously.
The bake sale was a hit, too—Mrs. Ellison’s pies sold out in no time.
When the play started, I saw Julia sitting in the front row, tears of gratitude in her eyes. She glanced at me, mouthing, “Thank you.”
I smiled, feeling proud. This was more than just raising money—it brought the community together. We raised every penny needed for Aurora’s surgery.
The day of the surgery was tense. I sat with Julia in the hospital, holding her hand. “She’ll be okay,” I whispered, more for myself than her. I thought of Gianna, of all the nights I’d spent at her bedside. I squeezed Julia’s hand tighter.
Hours passed, and finally, the doctor came out with a smile. “The surgery was a success. Aurora’s going to be fine.”
Julia collapsed into my arms, sobbing with relief. “Thank you… I don’t know how to ever repay you.”
“You don’t need to repay me,” I said, brushing her hair back. “You’ve already given me so much. You’ve brought life back into my home.”
After the surgery, Julia and the kids came back to my house. It wasn’t quiet anymore. Adam’s laughter echoed through the halls, and Aurora’s sweet voice filled the air. Toys were scattered everywhere, and the once-empty house was now full of life and love.
One evening, as we sat at dinner, I looked at Julia, Aurora, and Adam, feeling something I hadn’t felt in years—contentment.
“Stay,” I said suddenly. Julia looked at me, surprised. “Stay here. You and the kids. This house needs noise. It needs life. You’re like family now.”
Julia’s eyes filled with tears. “Are you sure?”
“I’ve never been more sure.”
And just like that, the house wasn’t empty anymore. It was full of laughter, love, and the warmth of a new family, bound not by blood, but by something stronger.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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